Interviews

Interview with Karen Marshall

“I started to realize that there was a language that women share with each other and oftentimes it’s really hard to describe. And so I thought, well, if it’s so hard to describe, then maybe photographs will really articulate it.”
—Karen Marshall (GUP Magazine)
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Interview with Roger Ballen

“The pictures also should be like a truth or an essence, and things that are truths or essences are also difficult to talk about; they just are.”
—Roger Ballen (GUP Magazine)
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Interview with Pablo Inirio

“I don’t want it going out of the darkroom unless I’m happy with it, you know? I don’t want to give people work that’s not up to my standards, and my standards are high. I’m tough on myself, I think I overdo it.”
—Pablo Inirio (GUP Magazine)
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Interview with Patrick Zachmann

"I don't think now it's a question of documenting the world as it is, because basically we know how it is. [...]The point is not just to document, it's the way you document and the interactive process you develop between you and the world."
—Patrick Zachmann (Eyes in Progress)
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Alain de Botton: Art as Therapy

“Why should art always be so silent, always be so meek in its desire to change the world…? I think it’s a disaster to leave it so that the only people trying to change existence are large corporations and bigoted polemical groups."
—Alain de Botton (TEDxAmsterdam)
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Interview with Emily Kinni

“I couldn’t escape knowing and feeling the original purpose of the rooms, and the unavoidable tension of what the space had been, compared to what surrounded me.”
—Emily Kinni (GUP Magazine)
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Interview with Nikolas Ventourakis

“One ends up feeling excluded, standing outside a window looking in, fantasising about being part of the group. And being part of the group is important.”
—Nikolas Ventourakis (GUP Magazine)
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