No News Is Good News
“Do you want to go to World Press Photo and feel bad about everything?” TheWorld Press Photo exhibit, featuring the greatest hits of misery, is no exception to the rule that no news is good news.
(Riding the Dragon, 2018)
The Overview Effect
"Rather like the fish who doesn’t realise he’s swimming in water, our relationship with our own terrain is easy to not perceive due to its ubiquity."
(GUP Magazine, 2017)
Nothing Is Forever Except Everything
"We are obsessed with all that is fleeting, and our chosen means of showing this appreciation is through capture."
(GUP Magazine, 2017)
Come Hither: A Reframed Means of Seduction
“In one sense, it’s business as usual: a man has photographed a young girl provocatively. In another sense, [Playboy] may have come to recognize that, in modern times, perhaps the most desirable woman is one who is in control over her own image.”
(GUP Magazine, 2016)
Pain Isn’t Pretty
“If you sit with the discomfort long enough, it can transform with effort into something else. For example, ecstasy. For example, liberation. For me, what my body brews when percolating over these particular images long enough is transcendence of self.”
(GUP Magazine, 2015)
Picture or It Didn’t Happen
“As uncountable photos of bikinis and cocktails pass by my social networking streams in summer – trophy heads mounted on the wall celebrating the ‘best party ever’, souvenirs marking the sacrifices made at the altar of YOLO – I can’t help but wonder, is there anybody out there still buying into all this?”
(GUP Magazine, 2015)
Do Drones Dream of Simulated Celebrities?
"Perhaps an integral part of human vision is the power of, and inclination towards, deception."
(GUP Magazine, 2015)
Selfie-Obsession
"What I find interesting is all the attention that various organized media are heaping towards selfies, repeating ad nauseam the fact that the Oxford dictionary named ‘selfie’ their word of the year. Who gives a shit?"
(GUP Magazine, 2013)
Horizon Destination
“This wanting, this hole in the soul of our being, is one of the great defining features of the human condition. And images capitalise on it, exacerbate it. They feed us with more desires before we even know we’ve consumed them.”
(GUP Magazine, 2013)
Pause Transition
"Pre-packaged with the camera’s ability to freeze life mid-sentence is also our implicit allowance to sacrifice the entirety of the experience to its souvenir."
(GUP Magazine, 2012)